| chapter - A century of Australian cinema : Developing pictures: Australian cinema (1970-1995) . 00-00-1995. pp.172-197 |
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Peter Kemp
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| This chapter is one in a series documenting the history of cinema in Australia. The book is beautifully presented and contains a large array of still photogr...[full record]
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| book - A Critical Guide to Contemporary Horror Films . 00-00-1988 |
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Kim Newman
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From The British horror film to the Post-Modern horror film, Kim Newman looks at horror films in terms of sub-genre. There are quite a few mentions with re...[full record]
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| newspaper - Australia's film industry a top world performer The Age. 11-07-1994 |
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Chief Executive
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| Talks about the $67 million returns from the Australian film industry. And that an Australian film can only return about $500,000 to its investors despite h...[full record]
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| journal - Camera Natura: Landscape in Australian Feature Films Framework 22. pp.47-51 |
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Ross Gibson
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| Gibson provides a detailed analytical discussion on the use of landscape in Australian feature films.
He argues that in Australian cinematic discourse it is...[full record]
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| web - Continuum: The Australian Journal of Media & Culture vol.1 no.1 : "Chauvel and the centring of the Aboriginal male in Australian film" . 00-00-1987 |
| Bruce Beresford
Kristina Nehm
Charles Chauvel
Fred Schepisi
Robert Tudawali
Andrew Pike
[full record]
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| |
| newspaper - Hollywood or the bush? Gilda wants them both Australian. 21-08-1980. p.10 |
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Geraldine Pascall
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| Interview with Gilda Baracchi, Producer of the Tasmanian Film Corporation's feature film Manganinnie, after the film's Sydney premiere. One of the few acknow...[full record]
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| journal - Interview with Peter Weir American Film 5 V11. pp.13-15 |
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Author Unknown
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| This article talks with Weir about his approach to different cultural and belief systems of the aboriginies in "The Last Wave". It also discusses the myster...[full record]
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| journal - Muddying the Mythological waters: Aboriginality in Australian Film Metro. pp.18-21 |
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Karen Jennings
|
| [full record]
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| journal - Nationalism in Australian Cinema Cinema Papers. . pp.97-100, 15 |
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Anne Hutton
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| An excellent and detailed look at distinctive approaches to the construction of national identity inAustralian 'period films' made between 1974 and 1979.[full record]
|
| |
| journal - New and wonderful and different Voice. 05-03-1979 |
|
Rex Reed
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| The article begins by discussing Picnic at Hanging Rock and the author's viewing of it at the Cannes Film Festival a few years ago.
It talks about Picnic at...[full record]
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| |
| journal - Peter Weir Positif 314. . pp.18-22 |
|
Christian Viviani
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| Survey of Weir's films.[full record]
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| |
| newspaper - Peter Weir and the Cinema of New Age Humanism Film Quarterly, Film Quarterly. pp.2 - 12 |
|
Gary Hentzi
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| Looks at the underlying themes of Peter Weir's films. Weir is described as a "professed loner" who came to Hollywood with a reputation for art house cinema. ...[full record]
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| journal - Peter Weir's Enigma Village Voice. 26-02-1979 |
|
Tom Allen
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| The article beigns by setting the scene of Hanging Rock. It then briefly compares and contrasts Picnic at Hanging Rock and The Last Wave.
The article goe...[full record]
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| newspaper - Raymond Stanley talks to Peter Weir Screen International. 07-01-1978. p.6 |
|
Raymond Stanley
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| Interview with Peter Weir from when he was 33. It talks about what inspired him to make some of his early films, and it's evident that from this early in his...[full record]
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| journal - Review of the book "The Films of Peter Weir: visions of alternate realities" Empire 48. p.105 |
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Matt Mueller
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| The review suggests that Peter Weir should be recognised as a significant figure in the Australian Film industry but it is not convinced by the book's focus ...[full record]
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| journal - The Middle Ground Cinema Papers. p.37, 38, 39 |
|
Scott interviews,
Glen Lynch
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|
[full record]
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| newspaper - Weir, weird and weirder still Films Illustrated. 01-11-1976. pp.93 - 94 |
|
David Castell
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| Interview with Peter Weir from when he was 32. The article talks about how Weir isn't interested in making typical patriotic sheep films. He defends the Aust...[full record]
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| newspaper - Whites of the eye The Sydney Morning Herald (Metro). 03-04-1998. p.15 |
|
Ruth Hessey
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| This review of Walkabout upon its cinematic rerelease in Australia also includes a photographic still of Lucien John and Jenny Agutter.[full record]
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| newspaper - Wrong Side on right track for Aboriginies The Australian. 30-10-1981. p.45 |
|
Meaghan Morris
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| An article on the film, which highlights the film's importance in relation to the representations of Aboriginies and in relation to other road movies.[full record]
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