| chapter - A century of Australian cinema : Developing pictures: Australian cinema (1970-1995) . 00-00-1995. pp.172-197 |
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Peter Kemp
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| This chapter is one in a series documenting the history of cinema in Australia. The book is beautifully presented and contains a large array of still photogr...[full record]
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| book - Australian Cinema : Chapter 8: Australia and the Australians. . 00-00-1994 |
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Philip Adams,
Scott Murray,
Scott editor
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| The book features a general overview of Australian film culture, including essays, stills and lists of directors.[full record]
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| book - Australian Cinema 1970-1985 . 00-00-1987 |
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Brian McFarlane
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| The book mentions that Dimboola (whilst being a disater of a film) was not written by director John Duigan.
The book then questions the funding sources tha...[full record]
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| chapter - David Williamson: Collected Plays Volume 1 : Introduction . 00-00-1991. p.n.p. |
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Kath Brisbane,
David Williamson
|
| A collection of five David Williamson Plays with an introduction by Katherine Brisbane.[full record]
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| |
| newspaper - Hollywood or the bush? Gilda wants them both Australian. 21-08-1980. p.10 |
|
Geraldine Pascall
|
| Interview with Gilda Baracchi, Producer of the Tasmanian Film Corporation's feature film Manganinnie, after the film's Sydney premiere. One of the few acknow...[full record]
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| newspaper - Satisfying the Writing Urge: Tim Dare talks to playwright David Williamson The Australian. 28-08-1971. p.n.p. |
|
Tim Dare
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| David Williamson speaks of the need for writers to learn their craft critically. He acknowledges La Mama and the APG as crutial to this in Australia.
He men...[full record]
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| journal - Stork Monthly Film Bulletin. 01-12-1973. pp.255-256 |
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John Baxter
|
| Described as a "noisy sex farce"
[full record]
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| journal - Stork Variety. 29-12-1971 |
|
[full record]
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| Unknown - Stork Interview . 00-00-2007 |
| A series of interviews with actors, writers and film personalities as âextrasâ on the DVD of Tim Burstallâs film Stork. It includes the making of Stork...[full record]
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| book - The Australian Film Book . 00-00-1985 |
|
Simon Brand
|
|
[full record]
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| chapter - The Australian Screen : Cinema Oz: the Ocker films . 00-00-1989. pp.75-89 |
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Tom O'Regan
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| Mentions how Stork is evident of the Australian "ocker" film or style.[full record]
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| |
| journal - The Coming of Stork Lumiere |
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Author Unknown
|
| Tells of the avenues of funding through which Stork gained it's financial backing. A budget of $70000, $8000 of which was taken from the Experimental Film fu...[full record]
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| |
| chapter - The Imaginary Industry, Australian Film in the Late '80s : The Aesthetic Force Field I: The AFC-Genre and the Social Realist FIlm in the '80s . 00-00-1988. pp.81-97 |
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Susan Dermody,
Elizabeth Jacka
|
| This book is a thorough analysis of the Australian film industry during the 1980's. It details conditions such as finance, marketing and government policy wh...[full record]
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| chapter - The Last New Wave: The Australian Film Revival : I'd Rather be Frivolous Than Boring: Tim Burstal . 00-00-1980. p.Chapter 3 |
|
David Stratton
|
| Briefly goes through Burstal's History.
Includes the influence of his wife's theatre 'La Mama' on his filmmaking practice. Particularly as a fostering grou...[full record]
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| chapter - The New Australian Cinema : Personal relationships and sexuality . 00-00-1980. pp.138-153 |
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Meaghan Morris
|
| This chapter deals with representations of gender, inter-personal relationships and sexuality in Australian film. It is part of a collection of articles whic...[full record]
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| chapter - The Screening of Australia: Anatomy of a National Cinema Vol. 2 : Part Two: The First Phase (1970 - 75) The Prototype Emerges . 00-00-1986. pp.77 - 97 |
|
Susan Dermody,
Elizabeth Jacka
|
| Describing 'The Cars that Ate Paris' as the first of a legion of 'car crash movies', they cite how diegetically "..the entire economy of Paris is dependent o...[full record]
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| newspaper - Violence, a real man and a lot of laughs Daily Telegraph. 07-07-2000. p.31 |
|
Tim Blair
|
| Positive review of the film which becomes increasingly positive when compared to other contemporary Australian films.
About a quarter of the article is de...[full record]
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